Differing Perspectives on Grenville's Perspective

    Dolores Herrero’s “Crossing The Secret River: From Victim to Perpetrator, or the Silent/Dark Side of the Australian Settlement” interprets Grenville’s intentions behind The Secret River from a multifaceted perspective, acknowledging many different criticisms and conversations had about the author. The first perspective looks at the article from the vantage point of an attempt at an Australian apology, “the apology in postcolonizing Australia,” “however indirect and insufficient, to Indigenous Australians (89). Herrero claims that Grenville’s popular novel brings out the ‘secret’ from settler colonialism’s violent history, representing the horrid massacre as a necessity. This interpretation does call into question Grenville’s representation of the Aboriginal people, as we exclusively see them through the eyes of the settlers, who are mostly bigoted. Though the intention is that we see these victims through the eyes of the colonizers, the lack of Aboriginal character or voice may weaken the idea of an apology, though that is entirely subjective. I also understand that the difference in language intentionally divides the two groups, but this point still stands.

    The other perspective offered suggests that The Secret River aims for this impossible double apology by “examining her own convict ancestor’s implication in acts of Aboriginal genocide and dispossession, while also acknowledging the strength, courage, and determination that made settlement possible” (90). I do agree that the novel tends to shy away from demonization besides situationally realistic caricatures like Smasher, but this perspective is a difficult one to place. Some may find acknowledging the difficulties and hardships of settlement to be celebrating the exploitation of Aboriginals, but the novel clearly doesn’t aim to do that, either. Overall, I believe that Herrero’s first interpretation of an Australian apology more closely aligns with Grenville’s intent, as a microlecture we watched detailed how the novel was written in response to the demands for reparations for Indigenous Australians.


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